Monthly Archives: March 2012

Forest view

Just a beautiful inspiration. Hinako

Forest view

Just a beautiful inspiration. Hinako

16 [R]evolutions- Performance made with Isadora + Technical Explanations

    These are couple of videos from 16 [R]evolutions, a show I performed in using Isadora.  The first is a video of clips from the show, and the second is Mark Coniglio, Isadora creator, describing how he made it

16 [R]evolutions- Performance made with Isadora + Technical Explanations

    These are couple of videos from 16 [R]evolutions, a show I performed in using Isadora.  The first is a video of clips from the show, and the second is Mark Coniglio, Isadora creator, describing how he made it

How the space will look

Bonington gallery Click here to see movie 🙂 Today I went to the opening party of the current exhibition in Bonington Gallery. The pictures might help to understand the use of screens and the sense of distance, and how it

How the space will look

Bonington gallery Click here to see movie 🙂 Today I went to the opening party of the current exhibition in Bonington Gallery. The pictures might help to understand the use of screens and the sense of distance, and how it

Space design sketch & Interactive part

Hi, Now I am trying to put all elements together in that gallery space. I want to share the sketch that I developed from ideas we have. Click to see larger images. The key point is ‘interactive’ and ‘continuous’. I

Space design sketch & Interactive part

Hi, Now I am trying to put all elements together in that gallery space. I want to share the sketch that I developed from ideas we have. Click to see larger images. The key point is ‘interactive’ and ‘continuous’. I

Entr’ acte (1924)/ Rene Clair

  Entr’ acte (1924)/ Rene Clair I saw this film in the exhibition, ‘Dancer la vie’ at Pompidou Centre in February. In the last half of the film, there are several scenes which were captured through a glass floor. I

Entr’ acte (1924)/ Rene Clair

  Entr’ acte (1924)/ Rene Clair I saw this film in the exhibition, ‘Dancer la vie’ at Pompidou Centre in February. In the last half of the film, there are several scenes which were captured through a glass floor. I

Isadora Shadow and Kaleidoscopes

  I think this video, combines the two practices which Hinako is interested in developing into the project well. We also do have access to this software. Alex

Isadora Shadow and Kaleidoscopes

  I think this video, combines the two practices which Hinako is interested in developing into the project well. We also do have access to this software. Alex

Work Edited From First Test Shoot

Ali and I have worked with the little footage we had to start to play with the ideas of screens interacting with each other via the individual movements of dance. Such as pushing and pulling, which is all very much

Work Edited From First Test Shoot

Ali and I have worked with the little footage we had to start to play with the ideas of screens interacting with each other via the individual movements of dance. Such as pushing and pulling, which is all very much

Sound making

I came up with idea of how to use conductive thread? and amplify the sounds… – Hanging ceramic from the ceiling using conductive thread. – Sew it onto costume in some way, then when dancer moves or smooth the surface,

Sound making

I came up with idea of how to use conductive thread? and amplify the sounds… – Hanging ceramic from the ceiling using conductive thread. – Sew it onto costume in some way, then when dancer moves or smooth the surface,

Kaleidoscope

When we were talking about kaleidoscope on Monday in the studio, I came up with the idea to use Kirsty’s textile image like a kaleidoscope. The coloring will match very good, I think. – The images are projected onto wall

Kaleidoscope

When we were talking about kaleidoscope on Monday in the studio, I came up with the idea to use Kirsty’s textile image like a kaleidoscope. The coloring will match very good, I think. – The images are projected onto wall

Playing with shadow

  Body Movies/ Rafael Lozano- Hemmer When we were talking about silhouette and shadow, I thought without screen will be more interesting, because the shadow size and darkness will vary depends on the distance from the light and audience and

Playing with shadow

  Body Movies/ Rafael Lozano- Hemmer When we were talking about silhouette and shadow, I thought without screen will be more interesting, because the shadow size and darkness will vary depends on the distance from the light and audience and