16 [R]evolutions- Performance made with Isadora + Technical Explanations
These are couple of videos from 16 [R]evolutions, a show I performed in using Isadora. The first is a video of clips from the show, and the second is Mark Coniglio, Isadora creator, describing how he made it
16 [R]evolutions- Performance made with Isadora + Technical Explanations
These are couple of videos from 16 [R]evolutions, a show I performed in using Isadora. The first is a video of clips from the show, and the second is Mark Coniglio, Isadora creator, describing how he made it
How the space will look
Bonington gallery Click here to see movie 🙂 Today I went to the opening party of the current exhibition in Bonington Gallery. The pictures might help to understand the use of screens and the sense of distance, and how it
How the space will look
Bonington gallery Click here to see movie 🙂 Today I went to the opening party of the current exhibition in Bonington Gallery. The pictures might help to understand the use of screens and the sense of distance, and how it
Space design sketch & Interactive part
Hi, Now I am trying to put all elements together in that gallery space. I want to share the sketch that I developed from ideas we have. Click to see larger images. The key point is ‘interactive’ and ‘continuous’. I
Space design sketch & Interactive part
Hi, Now I am trying to put all elements together in that gallery space. I want to share the sketch that I developed from ideas we have. Click to see larger images. The key point is ‘interactive’ and ‘continuous’. I
Entr’ acte (1924)/ Rene Clair
Entr’ acte (1924)/ Rene Clair I saw this film in the exhibition, ‘Dancer la vie’ at Pompidou Centre in February. In the last half of the film, there are several scenes which were captured through a glass floor. I
Entr’ acte (1924)/ Rene Clair
Entr’ acte (1924)/ Rene Clair I saw this film in the exhibition, ‘Dancer la vie’ at Pompidou Centre in February. In the last half of the film, there are several scenes which were captured through a glass floor. I
Isadora Shadow and Kaleidoscopes
I think this video, combines the two practices which Hinako is interested in developing into the project well. We also do have access to this software. Alex
Isadora Shadow and Kaleidoscopes
I think this video, combines the two practices which Hinako is interested in developing into the project well. We also do have access to this software. Alex
Work Edited From First Test Shoot
Ali and I have worked with the little footage we had to start to play with the ideas of screens interacting with each other via the individual movements of dance. Such as pushing and pulling, which is all very much
Work Edited From First Test Shoot
Ali and I have worked with the little footage we had to start to play with the ideas of screens interacting with each other via the individual movements of dance. Such as pushing and pulling, which is all very much
Sound making
I came up with idea of how to use conductive thread? and amplify the sounds… – Hanging ceramic from the ceiling using conductive thread. – Sew it onto costume in some way, then when dancer moves or smooth the surface,
Sound making
I came up with idea of how to use conductive thread? and amplify the sounds… – Hanging ceramic from the ceiling using conductive thread. – Sew it onto costume in some way, then when dancer moves or smooth the surface,
Kaleidoscope
When we were talking about kaleidoscope on Monday in the studio, I came up with the idea to use Kirsty’s textile image like a kaleidoscope. The coloring will match very good, I think. – The images are projected onto wall
Kaleidoscope
When we were talking about kaleidoscope on Monday in the studio, I came up with the idea to use Kirsty’s textile image like a kaleidoscope. The coloring will match very good, I think. – The images are projected onto wall
Playing with shadow
Body Movies/ Rafael Lozano- Hemmer When we were talking about silhouette and shadow, I thought without screen will be more interesting, because the shadow size and darkness will vary depends on the distance from the light and audience and
Playing with shadow
Body Movies/ Rafael Lozano- Hemmer When we were talking about silhouette and shadow, I thought without screen will be more interesting, because the shadow size and darkness will vary depends on the distance from the light and audience and
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